Sittin’ and Smilin’, Thinkin’ ’bout That Dock on the Bay.

I ran across a version of Otis Redding’s “Dock of the Bay” at a time when I needed it the most. I didn’t realize I needed it but sometimes life gives you little gifts to smile about.

On a site, Playing for Change, musicians from all over the world came together to lend their voices and musical talents just to help my spirits rise and give me a chance to have a productive day even if it is just sittin’ and smilin’.

Roger Ridley and Grampa Elliott Playing For Change

This is my dark time of the year and not because it is still the predawn hours of the day. Depression and anxiety cloud my thoughts despite the clear morning, stars twinkling over my head. The days are lengthening but it will take time for the early morning sunlight to wash my depression away. I’m struggling for motivation to write, motivation to get out of my chair, and I can’t keep my train of thought on its tracks. My mind is like Ricochet Rabbit, bouncing from place to place without settling.

I am downright morose until I find joy in a simple song.  A song about sitting in the sunlight…an ode to sunlight. I can hear the Redding’s whistle in my head, and it makes me smile, whistling away my dark clouds. Music does that sometimes…most times.

Redding was dead by the time “Sittin’ on the Dock of the Bay” hit number one. He recorded it just three days before a plane crash took his life on December 10, 1967. He was twenty-six and left behind a wife and four children. I remember lying in my twin bed, the transistor radio struggling to pick up late night WLS in distant Chicago when the news came through. Otis Redding killed in a plane crash along with four members of the group The Bar Kays. My own “day the music died.”

The song itself is melancholy but contains hope for me. “Sittin’ in the morning sun, I’ll be sittin’ when the evening comes.” I can almost feel the sun on my face, the light shimmering across an emerald bay, a blue sky, and a sea breeze blowing in my face. Sea gulls mew and pirouette in my mind. Hopeful that I’ll get a chance to be “sittin’ when the evening comes” when the days of Summer lengthen. Sometimes there is productivity in “just wastin’ time.”

This 2011 version features Roger Ridley, a street singer and guitar player from Las Vegas, and New Orleans’ Street icon, Grampa Elliott Small. They are backed by musicians from across the world and I genuinely believe Otis Redding would be proud.

According to Wikipedia and the Playing for Change website, “Playing For Change (PFC) was founded in 2002 by Mark Johnson and Whitney Kroenke. Mark Johnson was walking in Santa Monica, California, when he heard the voice of Roger Ridley, who joined Redding in “Rock ‘n Roll Heaven” in 2005, singing “Stand by Me”; it was this experience that sent Playing For Change on its mission to connect the world through music.”

Travelling the world with a small film and recording team, producers Johnson and Enzo Buono developed a mobile recording studio (originally powered by golf cart batteries) for recording and filming musicians live outdoors, and progressively editing all the separate artists, blending all into one performance. Epic performances and epic editing.

I see the sun is out and calling me. Actually, a water leak is calling me, but it is outside, and a plumber is to join me after it warms up. It is bright but cold in the foothills of the Blue Ridge…but it is not a bad leak.

The sunlight is golden, and it is time for me to go out and bask in it, whistling as I go, a song looping in my head, a smile on my face. Thanks Otis, thanks Playing For Change.

The Original Version of (Sittin’ On) The Dock Of The Bay by Otis Redding

Don Miller’s latest offering is “Pig Trails and Rabbit Holes”, available for download or in paperback at https://www.amazon.com/Pig-Trails-Rabbit-Holes-Southerner/dp/B09GQSNYL2/ref=sr_1_1?crid=FXC3AISNRIU7&keywords=pig+trails+and+rabbit+holes&qid=1640701551&s=books&sprefix=Pig+trails+an%2Cstripbooks%2C299&sr=1-1

You Are My Sunshine….

My thoughts were triggered by a fuzzy and out of focus black and white photograph a high school chum sent me. Our parents had been friends since the Nineteen Thirties until their deaths. My high school friend was the first girl I ever kissed. We were two or three years old sitting on top of a sliding board but that is a different story…not a very interesting one. While we remained friends the kiss didn’t quite take.

In the photo my mother and father are sitting in a prewar sedan complete with suicide doors. So young. Dad in a snap brim fedora with the brim turned up, an unlit Lucky Strike hidden from the camera. My mother’s gaze is drawn away from my father…maybe father to be. They are both looking out in the distance…maybe at their futures.

I draw a purely fictional mental picture of the next frame. My mother turning and resting her chin on his shoulder, eyes twinkling with a “Mona Lisa” smile just showing on her lips. His Humphrey Bogart to her Lauren Bacall complete with coffin nail hanging from his lip? I imagine the photo was made in the early Forties before my Dad shipped out to the Pacific. This was during their “courting” days.

Sorry about the focus

It is hard to think of my parents young, fancy free, and all lovey-dovey.  My father trying to be suave and debonair, attempting to sweep the red-haired fair maiden, my mother, off her feet.  It must have worked. I don’t believe I made my appearance due to immaculate conception but still…my brain might explode. The thoughts of parental romance made my shoulders all shivery as goosebumps race across them.

In a family not known for displays of conspicuous affection, I don’t remember many overt displays but somehow, I knew my parents loved each other.  Sometimes it is how you treat people and not just overt displays.  Sometimes it is about the stories you create in your mind, stories that might be more fact than fiction.

As a child, I remember an old RCA Victor tabletop radio/turntable and the old 78 RPM records it played.  There were stacks and stacks.  Bing Crosby, Benny Goodman, Glenn Miller, and “Big Bands” seemed to be favorites.  I’m sure there was a fortune in those old platters now resting in a landfill someplace.

I suspect my Mother was the motivation for the music.  The old RCA Victor was traded in for a cabinet model in the Sixties and a Columbia Record Club subscription followed.  She seemed to be partial to Billy Vaughn and his mellow saxophones.

I’ve created a mental image of her carefully seating a record or tuning into “Your Hit Parade” on a Saturday night.  I don’t remember my Dad sitting and listening, he was more “sit and work” the crossword puzzle guy. I didn’t think my Father was much of a “Music Man” but he would fool me…something I would not find out until after my Mother’s death. 

There was another musical form that caught my ear on those early 78s.  Early country music…called hillbilly, Western, or Western Swing music before the late Forties when it became known as Country-Western.  A heartbroken Ernest Tubbs was walking the floor over his one true love, and Hank Williams seemed to be very lonesome…so lonesome he could cry.  Eddy Arnold, the Tennessee Plowboy, sang “That’s How Much I Love You” in a scratchy baritone, scratchy because of the record, not his baritone.  Vaughn Monroe and the Sons of the Pioneers were desperate for “Cool Water.” 

With enough imagination, I can almost see my parents waltzing to Bill Monroe’s nasal tenor singing “Blue Moon of Kentucky” while the Blue Grass Boys added their instruments.  Almost.  It is easier to envision my parents holding hands in front of the old RCA, listening to the Grand Ole Opry on a Saturday night date. Holding hands? Stealing a kiss?

Ernest and Mary Eldora Miller during their “courting days” Again sorry about the focus.

I stood in my garden this morning thinking of my “unromantic” parents.  If I had neighbors to watch me, I’m sure they would have been curious as to why I was standing so still in front of my sunflowers.  My mind had taken a pig trail and followed it down a rabbit hole in between picking tomatoes and moving toward my okra. 

My pig trail took me from sunflowers turning their heads toward the sunshine to “You are my sunshine, my only sunshine.  You make me happy when skies are gray.”  It was a song my father sang to my mother, I’m sure.  Not fiction, but fact.  I have it in writing.  I’m sure he didn’t sing it well, but am sure he sang it with feeling.  Of that, I’m sure too, although I have no recording.

I knew it was “their” song.  I read a letter sent from my father to my mother from somewhere in the Pacific during World War Two.  I found a packet of those letters in a King Edward’s cigar box after her death. They were hidden away in a cedar hope chest, still in their unique airmail envelopes with the red, white, and blue edging and bound with a light blue ribbon. Occasionally there would be lines or words blacked out by censors.  There were other lines I wish had been censored.  There was nothing X rated but my Father…the romantic?  No.

My father quoted the song and lamented his separation and his desire to return to “his sunshine”, an ocean and a continent away.  He promised to sing it to her upon his return. Maybe he did or it might be fiction, created in my head. I like to think he did.

There was a well-used 78 record by the same title in that stack of records from the Thirties and Forties.  I don’t remember the artist but suppose it could have been Gene Autry or maybe the original sung by The Pine Ridge Boys.  It doesn’t matter.  I just know I think of my parents whenever I hear the song by any artist and follow a pig trail when I see a sunflower.

Hillbilly Music at its best…which may not be good at all. “You Are My Sunshine” by The Pine Ridge Boys

Further writings by Don Miller may be found at https://www.amazon.com/Don-Miller/e/B018IT38GM?fbclid=IwAR2RFMbKqFgEKWPLbpeiVotmz3GATsjIROGRGUqnRwt_XPe2uanDwztdlcE

Image is of a 78 RPM RCA Victor Recording of “You Are My Sunshine” by the Pine Ridge Boys. Distributed by Bluebird Records.